Opera by G. Rossini "Il Barbiere di Seviglia" Through the Prism of Director's Analysis of a Creative Artistic Project

The phenomenon of popularity the opera «Il Barbiere di Seviglia» by G. Rossini in context global communication cultures from different countries world, search for a dialogue to their interaction is considered. relevance research suggests need solve problem director's interpretations revival style singing accordance with author's score. scientific novelty determined defining new approaches interpretation opera, identified conceptual vision idea his own project. purpose study determine concept paradigmatics musical theater. Research methods selected: historical and biographical — clarify features work formation Italian opera; genre-stylistic, comparative outline specifics drama Rossini, its differences same name Paisiello; interpretive consider directorial versions postmodern prognostic vector main results conclusions are following aspects. It has been found that Rossini's Seviglia», written on border classicism romanticism, laid foundation - romantic which influenced European national schools. proved dramaturgy S. Sterbini's libretto differs J. Paisiello's Petrofellini's libretto, not illustrative as latter, original source P. Beaumarchais. incarnations Russian at Helicon Theater, Russia, two National Opera Ukraine Academy's Studio. graduate student her project predicted, provides an synthesis authentic modern styles, traditional innovative means expression tendency syncretism based combination achievements domestic directors.